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I don't know if I'll use Pillowfort again soon. Social interaction seems not impossible but very, very difficult now for me and maybe something more tamed on that front like Dreamwidth will be better suited for me. At least for now? maybe? Anywa.

There's something not quite magical but also not-not magical about reading and listening to a book at the same time. I don't do great with audiobooks alone, and I'd rather sit down and read in complete silence (or with rain sounds as my background music), but there are books that greatly benefit from having the small subtleties of when exactly elongate a syllable or those micro pauses that add so much cadence to what a character is saying.

Differently Morphous is one of those books for me. I don't think I'd be enjoying this much if it wasn't for Croshaw's acting supporting his already good writing. The best example for this is Doctor Diablerie, a character in the book. The character in the book. That man is going to carry the story on his shoulders, I'm sure of that. I already said that the writing is good, don't get me wrong, but Diablerie just hits me in all the right places.

My SO says that Doctor Diablerie is me playing a Delta Green campaign, which is both a great compliment and a monumental critique of my roleplaying faculties. Oh well, what can one do. I'm a Saturday morning cartoon villain at heart.

 I get that Differently Morphous was made originally for Audible, so it makes sense that it works better as an audio experience. Other books I enjoyed in audio form to enhance my reading experience were the Into the Drowning Deep duology by Mira Grant (some of my fav horror books ever) and One of Us is Lying by Karen M. McManus. I also listened to What Moves the Dead, by T. Kingfisher, but only to have something other that gym music at the gym - much preferred reading that one in silence because picturing Raine Whispers in a gothic horror story was a bit jarring (for me, it might be the ideal scenario for you, Avi Roque does a great job).
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Dead by Dusk was a difficult book to process once I was done with it. The lack of chemistry between the leads, unnecessarily long first act and rushed ending didn't help at all, but it was rescued by the heavy giallo movie vibes it excels at and the use of the vampire myth to set the perfect horror adjacent mood I was pleasantly surprised by. Setting the story in Italy was the perfect choice, and I give extra points to Drake for that.

I'll use the mention of gialli movies to add that the usual content warnings for that genre apply and are as follows, please click the 'read more' option to see them: Read more... ) Shannon Drake is very subtle with the language she uses for most of these situations, but they're there nonetheless.

I can say that while the book is part of a series, for the most part it's pretty standalone besides two characters that commit the crime of delivering the biggest info dump at the start of act 3, which happens very, very late in the book. Any characterization they might have had until then is forgotten, and they turn into useful encyclopedias with legs. The secondary cast is where most of the interesting characterization happens, as they are the ones that read like actual people and not seething horny slabs of flesh. I did feel the one loss that occurs.

There's absolutely nothing wrong with being horny, this is the kind of book where that would be appropriate in my opinion, but I personally need a bit more of oomph if I'm supposed to want Person A and Person B to end up together. Which I didn't, because they were boring. At least, the reveal itself at the end wasn't! I had a small moment of realization that did feel gratifying because half of that reveal was a theory of mine.

The vibes were the main force pushing me forwards, because they're strong in this book. Drake's prose is polished (I found a couple of typos, but that's something I'd mention to the editing and publishing teams) and purposeful. Her control over how much information she decides to reveal (until that mess at the end) and masterful deliveries are a thing to behold. I'm on the fence whether to give her another try at some point in the future.

All in all, I'd say that Dead By Dusk is a decent read if you're interested in a giallo movie with vampires.

My current read is Tooth and Claw by Jo Walton.
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I think it was a good thing, for me, that I separated myself from booktok/booktwitter/other similar communities in social media sites focused on the latest book releases. While my reading speed remains slow, I've also been reading more books I wouldn't have even considered before.

Because of an increase in taxes and the lack of availability of new books in their original language, I've been scouting used book libraries getting old, yet well-loved books for really, really cheap. This is how I got my hands on a Dead by Dusk copy, which I've been enjoying quite a lot. Certainly more than I expected. There are lost of stories by diverse authors that I'd love to read next year, but right now I'd also like to focus on what's available locally.

The lack of stress related to not being able to keep up with trends, that pesky FOMO that oozes from most feeds, wasn't doing me any good either. So yeah, I'm happy, and I'd like to think that's what truly matters.

(still, i'd die happy if i could get my hands on a gideon the ninth copy)

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